artworks
Made, not formed.
A hard act to follow
Everything in this category has to survive being placed beside something two hundred million years old. Next to an object with that kind of authority, work that relies on novelty or reference tends to thin out and disappear. Most of it doesn't hold. That one test rules out more than any curatorial position could.
Standard
What survives the comparison usually has something in common with the specimens: it's honest about its process. You can see how it was built, what it's made from, and what the hand left behind — the same legibility we look for in a fossil, arrived at deliberately.
We work with a small number of artists on that basis. Not a movement or a medium, but a shared willingness to let the making stay visible in the finished thing.
The made and the found
Selection
Featured Pieces
Policroma #14 (Refraction Study)
From Contrapunto — Policroma
Photograph by Cesar Cueva
Colour becomes structure as light refracts through a layered field of red and green. Using transparent crystal as a lens, painted pigment transforms into shifting architecture, fluid, luminous, and alive. In this study, Policroma #14 extends Contrapunto’s exploration of counterpoint, pairing the sculptural restraint of Monocromo with the chromatic intensity of the painted image, where fracture becomes colour and colour becomes form.
Archival Pigment Print on 310gsm Matt Paper
Raw Solid Oak Frame (White)970mmx 1270mm
Edition 1/1 + AP.
Policroma #15(Refraction Study)
From Contrapunto — Policroma
Photograph by Cesar Cueva
Strata of teal, violet, and sand sweep diagonally across the frame, caught between opacity and reflection. Filtered through a clear crystal lens, painted pigment transforms into a study of rhythm and restraint. In this work, Policroma III extends the Contrapunto dialogue between mineral and image, where movement becomes geometry, and colour becomes a quiet architecture of light.
Archival Pigment Print on 310gsm Matt Paper
Raw Solid Oak Frame (White)970mmx 1270mm
Edition 1/1 + AP.
Amethyst (Focus Stack Study)
From Contrapunto — Monocromo
Photograph by Cesar Cueva
Planes of rose quartz and violet converge into a crystalline chamber of light and shadow. Captured through focus stacking, this microcosm of intersecting facets evokes both architecture and atmosphere. In this study, Monochrome #4 extends the Monocromo inquiry into perception and form, revealing how stillness, fracture, and reflection can transform the minute into the monumental.
Archival Pigment Print on 310gsm Matt Paper
Raw Solid Oak Frame (White)965mmx 1165mm
Edition 1/5 + AP.
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